live-stage01 dj-stage01


Stage specifications:

Size: 6 m (wide) / 4 m (deep)
Stage: hight: 88 cm
Clearence: 2.70 m
Back drop option - YES

PA specifications:

4 x Two-way, full range SP5 speakers (800 watts program, 1600 watts peak)
2 JBL MRX 500 Two-Way full range speakers
2 x Two 18-inch subwoofers SP 218 (2400 watts program, 4800 watts peak)
1 x Crest Audio CC 2800 Power amp
1 x Crest Audio CC 4000 Power amp
1 x Crown 602 Power amp

Behringer X AIR XR18 (Main mixing Console)

• iPad/Android tablet controlled 18-input digital mixer for studio and live application
• 16 Midas-designed, fully programmable mic preamps for audiophile sound quality
• Built-In Tri-Mode Wifi router for direct operation
• 18 x 18 channel, bidirectional USB interface for direct recording on iPad etc.
• Dugan-style Auto-Mixing automatically manages microphone gain sharing
• X32 effects rack featuring 4 stereo FX slots including high-end simulations such as Lexicon 480L and PCM70, EMT250 and Quantec QRS etc.
• 100-band Real Time Analyzer (RTA) for all channel and bus EQ's
• ULTRANET connectivity for Behringer's P-16 Personal Monitoring System
• 6 aux and main LR buses with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ
• 6 XLR aux outputs and 2 XLR main outputs plus phones connector
• 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency
• MIDI In/Out allows controlling the mixer via MIDI equipment (incl. Mackie Control protocol) or for use as a USB MIDI interface (future firmware)

Yamaha O2R-V2 Digital (Backup Mixing Console)

· 40-input/8-bus configuration – 24 analog inputs and 16 digital inputs provide for 40 channel inputs. 8 auxiliary sends provide for versatile signal routing. AUX 5 and 6 can be used individually or as a stereo control room or studio monitor send.
· Currently 24 channels are available from stage, via The SSsnake MC 24/8 Multicore
· Individual channel PEQ and dynamics processors
· High precision, high-resolution 20-bit linear AD converters with 64-times over-sampling are available on all analog inputs.
· Effects libraries, scene snapshots


1 x RANE RPM 26z Multiprocessor


1 х Shure Beta 58A
2 x Shure SM 58
1 x Shure Beta 57A
2 x Shure SM 57
3 x Sennheiser E604 (Tom Mics)
1 x Shure Beta 91 (Kick Drum)
2 x Shure PG 81

2 x Active DI boxes – Behringer DI 100 Ultra-DI
1 x Passive DI box- SoundLAB SDB-40

Foldback (stage monitors):

4 separate sends (from FOH mixing console)
· 4 x Behringer EUROLIVE B215D – Active 550-Watt 2-Way PA Speaker System with 15″ Woofer and 1.35″ Compression Driver

Lighting Specification

1x Futurelight CP-240 Lighting Controller Console
3 x Eurolite EDX- 4 channel DMX Dimmer pack

On stage:
– Front: 8 x 300W Par 56
– Back: 6 x 300W Par 56, 1 x EUROLITE DMX Superstrobe 2700
– Side: 4 x 80W Par 38

3 x Martin MX4 scanners
4 x Yellow River YR688 Moving Head
2 x COEMAR Pro Spot 250LX
2 x Future Light PHS250 Moving Head
1 x American Audio scanner
1 x JB Systems Smooth Scan 3 Laser Light
1 x CHAUVET Lighting - Hurricane™ Haze 2D

Stage Projector

Panasonic PT-F300 Type XGA LCD with image reproduction size up to 4 by 2 metres.

Optical system: Dichroic mirror separation/prism synthesis system
Lens: Manual zoom (1:1–1:2), manual focus F 1.7– 2.6, f 24.0 – 47.2 mm
Lamp: 250 W UHM lamp
Colors: Full color (16,777,216 colors)
Brightness: 4,000 lumens
Contrast ratio: 600:1 (full on/full off)
Resolution: 1,024 x 768 pixels (Input signals that exceed this resolution will beconverted to 1,024 x 768 pixels.)


DVI-D 24-pin x 1, DVI 1.0 compliant, HDCP compatible, for single linkonly.
EDID1: 480p, 576p, 720/60p, 720/50p, 1080/60i, 1080/50i, 1080/60p,1080/50p.
EDID2: Compatible with non-interlaced signals only, Effective resolution: VGA (640 x 480) – SXGA+ (1,400 x 1,050)


D-sub HD 15-pin (female) x 1
G: 0.7 Vp-p, 75 ohms, Sync on green: 1.0 Vp-p, 75 ohms,
B, R: 0.7 Vp-p, 75 ohms,
HD/SYNC, VD: TTL (positive/negative polarity compatible)

Y, PB, PR: Y: 1.0 Vp-p (including sync signal), 75 ohms, PB, PR: 0.7 Vp-p, 75 ohms
VIDEO IN: RCA pin x 1, 1.0 Vp-p, 75 ohms
S-VIDEO IN: Mini DIN 4-pin x 1, Y: 1.0 Vp-p, C: 0.286 Vp-p, 75 ohms
COMPUTER AUDIO IN 1: M3 (stereo) x 1, 0.5 Vrms, for COMPUTER 1
COMPUTER AUDIO IN 2: M3 (stereo) x 1, 0.5 Vrms, for DVI-D and COMPUTER 2
AUDIO IN: RCA (L, R) x 1, 0.5 V [rms], for VIDEO and S-VIDEO (default) (This can be switched by a setting for use as an audio input termi-nal for DVI-D/COMPUTER 1/COMPUTER 2.)


We can also record your live show on multi-track!

Lynx Studio Technology AES16e

If you and your band want to record your performance on multi-channel audio, we now offer the option to record your entire set – on up to 16 channels simultaneously. Our Lynx Studio Technology: AES16e PCI-Express audio interface can provide the highest quality professional audio performance available, offering up to sixteen channels of professional AES/EBU digital input and output, at sampling rates up to 192 kHz.



PA specifications

2 X double passive subwoofers JBL 18 ",
4 x JBL MRX 500 Two-Way full range speakers
1 x JBL SP212A DJ monitor

1 x Crown 602 Power amp
1 x Crown 802 Power amp
1 IMG Stage Line STA 500 Power amp
1 x NEXT Power amp

2 x CD players "Pioneer" CDJ 1000 MK3
1 x "Pioneer" Newmark M6 Mixing desk

1 x DBA DriveRack PA digital processor
1 x RCF 206 digital processor


1 х Shure Beta 58A
2 x Shure SM 58

Lighting Specification

 3 x Martin MX4 scanners
4 x Yellow River YR688 Moving Head
2 x COEMAR Pro Spot 250LX
2 x Future Light PHS250 Moving Head
1 x American Audio scanner
1 x JB Systems Smooth Scan 3 Laser Light
1 x CHAUVET Lighting - Hurricane™ Haze 2D